Farscape 1.5

Science Fiction, Fantasy, Action

Ben Browder	Jonathan Robert Crichton
Claudia Black	Aeryn Sun
Virginia Hey	Pa'u Zotoh Zhaan
Anthony Simcoe	General/Captain Ka D'Argo
Gigi Edgley	Chiana
Paul Goddard	Stark
Lani John Tupu	Pilot
Wayne Pygram	Scorpius/Harvey
Jonathan Hardy	Dominar Rygel XVI
Tammy McIntosh	Jool

Director	Tony Tilse; Geoff Bennett (II)
Producer	Sue Milliken; Andrew Prowse
Cinematography	Russell Bacon; Craig Barden
Musician	Guy Gross; Subvision

Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise, but taking a visual and conceptual leap beyond those shows. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, courtesy of Jim Henson's Creature Shop, the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script, which is peppered with post-modern pop culture references and film in-jokes, never takes itself too seriously. It may be expensive to make, but it certainly looks (and sounds--in Dolby Digital 5.1) like every penny made it to the screen. Ben Browder plays leading man John Crichton as a latter-day Buck Rogers but with an entirely believable sense of bewilderment, not to mention loss; the rest of the living ship Moya's crew also has plenty of difficult issues to deal with, allowing Farscape's writers licence to develop their characters in often unexpected ways. The result is episodic TV sci-fi that continually pushes at the accepted boundaries of the format.

Box Set 5: these four episodes lead up to the climax of the show's first season. "Nerve" and "The Hidden Memory" make for a bold two-parter in which Crichton is reunited with his Peacekeeper Tech girlfriend, Gilina, and emotions are strained as he infiltrates a Peacekeeper base to find a cure for Aeryn's wound. But the story's most important function is to introduce the dreaded Scorpius, who uses his Aurora chair torture device to extract what he mistakenly believes is vital knowledge from Crichton. Scorpius, it soon becomes clear, is just not going to go away. In "Bone to be Wild" the crew is still on the run from the vengeful Scorpius and take refuge on a strange vegetation-covered asteroid where there's a deadly role-reversal of the beauty and the beast story taking place. Finally in "Family Ties" the season ends on a tense cliffhanger as Rygel plots with Scorpius, Crais intervenes unexpectedly, Moya's child turns out to be something of a handful, and Crichton and D'Argo must take a desperate gamble. Also on the disc is an interview with costume designer Terry Ryan and a profile of the Australian Creature Shop. --Mark Walker