#328
Seen It:
Yes
| Ian McKellen | James Whale |
| Brendan Fraser | Clayton Boone |
| Lynn Redgrave | Hanna |
| Lolita Davidovich | Betty |
| David Dukes | David Lewis |
| Kevin J. O'Connor | Harry |
| Mark Kiely | Dwight |
| Jack Plotnick | Edmund Kay |
| Rosalind Ayres | Elsa Lanchester |
| Jack Betts | Boris Karloff |
| Director | Bill Condon |
| Producer | Paul Colichman; Gregg Fienberg |
| Writer | Bill Condon |
Adapted and directed by Bill Condon from Christopher Bram's novel Father of Frankenstein,the film stars Ian McKellen in a sublime performance as the white-haired Whale, who is portrayed as a dapper gent and amateur artist prompted by failing health into melancholy remembrance of things past. Flashbacks of lost love, World War I battle trauma and glory days in Hollywood combine with Whale's present-day attraction to a newly hired yard worker (Brendan Fraser) whose hunky, Frankenstein-like physique makes him an ideal model for Whale's fixated sketching.
The friendship between the handsome gardener and his elderly gay admirer is by turns tenuous, humorous, mutually beneficial and ultimately rather sad--but to Condon's credit Whale is never seen as pathetic, lecherous or senile. Equally rich is the rapport between Whale and his long-time housekeeper (played with wry sarcasm by Lynn Redgrave), who serves as protector, mother and even surrogate spouse while Whale's mental state deteriorates. Flashbacks to Whale's film-making days are painstakingly authentic (particularly in the casting of look-alike actors playing Boris Karloff and Elsa Lanchester), and all of these ingredients combine to make Gods and Monsters (executive produced by horror novelist-film maker Clive Barker) a touchingly affectionate film that succeeds on many levels. It is at once a keen glimpse of Hollywood's past, a loving tribute to James Whale and a richly moving, delicately balanced drama about loneliness, memory and the passions that keep us alive. --Jeff Shannon
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